Marriage Lines (film): Difference between revisions

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| creator =
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| based_on =
| based_on = play by Clemence Dane
| writer =
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| story =
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| director =
| director = Christopher Muir
| starring =
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| language = English
| language = English
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| producer = [[Christopher Muir]]
| producer = Les Bail
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*Moira Carleton as Chrissie, the Piglrims' maid
*Moira Carleton as Chrissie, the Piglrims' maid
*[[Beverley Dunn]] as Peggy, Felix's secretary
*[[Beverley Dunn]] as Peggy, Felix's secretary
*Joy Mitchell
*Joy Mitchell as Daphne
*[[Campbell Copelin]] as Robbie Lambert
*[[Campbell Copelin]] as Robbie Lambert
*Vernon Yorke as American

*Kurt Ludescher and Ray Angel as waiters
*Roland Heimans as office boy
==Production==
==Production==
Walter Sullivan travelled to Melbourne to shoot the production.<ref name="soph"/> It was Beverly Dunn's first TV play since she returned to Australia.<ref name="age"/>
Walter Sullivan travelled to Melbourne to shoot the production.<ref name="soph"/> It was Beverly Dunn's first TV play since she returned to Australia.<ref name="age"/> Kennedy appeared by courtesy of Emerald Hill Theatre in Melbourne. Cas Van Puflen designed it.
==Reception==
==Reception==
The ''[[Australian Woman's Weekly]]'' TV critic called the production "a half-and-half job. Christopher Muir's production was satisfyingly polished; the play itself was woeful. The ABC decided to advertise this offering as a "sophisticated comedy." The theme—one woman trying to snaffle another's husband— can be funny, I suppose. But "Marriage Lines" was a melodrama of mothball manners... the cast had to battle with curiously dated dialogue... [a] sheer waste of good production and a goodish cast. "Marriage Lines" should have been murdered. Preferably at the dress rehearsal, if not before."<ref>{{cite news |url=http://nla.gov.au/nla.news-article51602830 |title=GOOD PRODUCTION, GOOD CAST, BAD PLAY |newspaper=[[The Australian Women's Weekly]] |volume=30 |issue=28 |date=12 December 1962 |accessdate=8 December 2016 |page=19 |via=National Library of Australia}}</ref>
The ''[[Australian Woman's Weekly]]'' TV critic called the production "a half-and-half job. Christopher Muir's production was satisfyingly polished; the play itself was woeful. The ABC decided to advertise this offering as a "sophisticated comedy." The theme—one woman trying to snaffle another's husband— can be funny, I suppose. But "Marriage Lines" was a melodrama of mothball manners... the cast had to battle with curiously dated dialogue... [a] sheer waste of good production and a goodish cast. "Marriage Lines" should have been murdered. Preferably at the dress rehearsal, if not before."<ref>{{cite news |url=http://nla.gov.au/nla.news-article51602830 |title=GOOD PRODUCTION, GOOD CAST, BAD PLAY |newspaper=[[The Australian Women's Weekly]] |volume=30 |issue=28 |date=12 December 1962 |accessdate=8 December 2016 |page=19 |via=National Library of Australia}}</ref>

Revision as of 05:22, 3 November 2020

Marriage Lines
Based onplay by Clemence Dane
Directed byChristopher Muir
Country of originAustralia
Original languageEnglish
Production
ProducerLes Bail
Running time60 mins[4]
Production companyAustralian Broadcasting Commission
Original release
Release31 October 1962 (Melbourne)[1]
26 November 1962 (Sydney)[2][3]
File:Marriage Lines.png
Mary Ward, Walter Sullivan, SMH 26 Nov 1962

Marriage Lines is a 1962 Australian television play which was directed by Christopher Muir. Australian TV drama was relatively rare at the time.[5]

Plot

Lysette returns to London after three unsuccessful marriages to look up her cousin's Virgilia who is married to publisher Felix. Felix runs a business that used to belong to Virgilia's father.

Lysette begins an affair with Felix.

Robbie Lambert is upset Felix wants to sell his theatre.

Cast

Production

Walter Sullivan travelled to Melbourne to shoot the production.[3] It was Beverly Dunn's first TV play since she returned to Australia.[1] Kennedy appeared by courtesy of Emerald Hill Theatre in Melbourne. Cas Van Puflen designed it.

Reception

The Australian Woman's Weekly TV critic called the production "a half-and-half job. Christopher Muir's production was satisfyingly polished; the play itself was woeful. The ABC decided to advertise this offering as a "sophisticated comedy." The theme—one woman trying to snaffle another's husband— can be funny, I suppose. But "Marriage Lines" was a melodrama of mothball manners... the cast had to battle with curiously dated dialogue... [a] sheer waste of good production and a goodish cast. "Marriage Lines" should have been murdered. Preferably at the dress rehearsal, if not before."[6]

References

  1. ^ a b "Happy People Supply Conflict in 2 Plays". The Age. 25 October 1962. p. 14.
  2. ^ "TV Guide". Sydney Morning Herald. 26 November 1962. p. 17.
  3. ^ a b "Sophisticated Drama". Sydney Morning Herald. 26 November 1962. p. 15.
  4. ^ "TV Guide". The Age. 25 October 1962. p. 35.
  5. ^ Vagg, Stephen (18 February 2019). "60 Australian TV Plays of the 1950s & '60s". Filmink.
  6. ^ "GOOD PRODUCTION, GOOD CAST, BAD PLAY". The Australian Women's Weekly. Vol. 30, no. 28. 12 December 1962. p. 19. Retrieved 8 December 2016 – via National Library of Australia.