Play It Cool (film): Difference between revisions
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*[[Bernie Winters]] - Sydney Norman |
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==Production== |
==Production== |
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It was an early film from Michael Winner who said he was given the job off the back of several short films he had made. He later said "they started to make |
It was an early film from Michael Winner who said he was given the job off the back of several short films he had made. He later said "they started to make pop films and that provided the break for young directors. The French New Wave had produced a few young directors and the idea of a director in his twenties was not totally unheard of. That’s how Sidney Furie came in, you know, with Cliff Richard. Dick Lester came in with It’s Trad Dad, and the same week I came in with a film called Play It Cool with Billy Fury."<ref>{{cite magazine|magazine=Screen|url=https://archive.org/details/Screen_Volume_10_Issue_3/page/n6/mode/1up?q=%22play+it+cool%22+|volume=10|issue=3|page=6|first=David|last=Spers|title=An Interview with Michael Winner}}</ref> |
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pop films and that provided the break for young directors. The French New Wave had produced a few young directors and the idea of a director in his twenties |
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was not totally unheard of. That’s how Sidney Furie came in, you know, with Cliff Richard. Dick Lester came in with It’s Trad Dad, and the same week I came |
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in with a film called Plaji It Cool with Billy Fury."<ref>{{cite magazine|magazine=Screen|url=https://archive.org/details/Screen_Volume_10_Issue_3/page/n6/mode/1up?q=%22play+it+cool%22+|volume=10|issue=3|page=6|first=David|last=Spers|title=An Interview with Michael Winner}}</ref> |
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Winner wanted to make the movie on location in real clubs but says the producers |
Winner called it “Britain’s first twist film. Except nobody was twisting there yet, so they didn’t quite know what it was.... But working on a feature film of whatever calibre was obvious preferable to sitting at hoe waiting for the phone ring.” He wanted to make the movie on location in real clubs but says the producers said “We don’t want to go into the West End where would we park the cars and have lunch? Besides we have all these lovely men at pinewood doing nothing and we think they ought to build something. So they put up a lot of rubbish as they always do a few potted plants and bits of hardboard with wallpaper on them then filled the place with extras looking bored.”<ref>'Rome Won't Forgget Him': Winner: Rome Wont' Forget Him Winner: Rome Won't Forget Him |
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Palmer, Alix. Los Angeles Times 7 June 1970: p1</ref> |
Palmer, Alix. Los Angeles Times 7 June 1970: p1</ref> |
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== Reception == |
== Reception == |
Revision as of 12:01, 29 October 2020
This article needs additional citations for verification. (August 2017) |
Play it Cool | |
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![]() British theatrical poster | |
Directed by | Michael Winner |
Screenplay by | Jack Henry |
Produced by | David Deutsch Leslie Parkyn Julian Wintle |
Starring | Billy Fury Michael Anderson Jr. Helen Shapiro Bobby Vee |
Cinematography | Reginald H. Wyer |
Edited by | Tristam Cones |
Music by | Norrie Paramor |
Production companies | Independent Artists Coronado Productions Ltd. |
Distributed by | Anglo-Amalgamated Film Distributors |
Release date |
|
Running time | 82 minutes |
Country | United Kingdom |
Language | English |
Play It Cool is a 1962 British musical film directed by Michael Winner and starring Billy Fury, Michael Anderson Jr., Helen Shapiro, Bobby Vee, Shane Fenton, Danny Williams, Dennis Price, Richard Wattis, Maurice Kaufmann and Anna Palk.[1]
It was one of a number of pop musicals made around this time.[2]
Plot
Struggling singer Billy Universe (Billy Fury) and his band befriend an heiress who, against the wishes of her father (Dennis Price), is searching for her lover whom she has been forbidden to see and with whom she is hoping to elope.[3] The main characters visit a succession of nightclubs where other stars are performing. There are guest appearances by Lionel Blair and Bernie Winters, as well as by record producer Norrie Paramor.[4] The only hit from the songs featured in the film was Fury's rendition of "Once Upon a Dream."
Cast
- Billy Fury - Billy Universe
- Michael Anderson, Jr. - Alvin
- Helen Shapiro - Herself
- Bobby Vee - Himself
- Dennis Price - Sir Charles Bryant
- Richard Wattis - Nervous Man
- Danny Williams - Himself
- Shane Fenton - Himself
- Jimmy Crawford - Himself
- Lionel Blair - Himself
- Anna Palk - Ann Bryant
- Felicity Young - Yvonne Pemberton
- Ray Brooks - Freddy
- Jeremy Bulloch - Joey
- Maurice Kaufmann - Larry Granger
- Peter Barkworth - Skinner
- Bernie Winters - Sydney Norman
Production
It was an early film from Michael Winner who said he was given the job off the back of several short films he had made. He later said "they started to make pop films and that provided the break for young directors. The French New Wave had produced a few young directors and the idea of a director in his twenties was not totally unheard of. That’s how Sidney Furie came in, you know, with Cliff Richard. Dick Lester came in with It’s Trad Dad, and the same week I came in with a film called Play It Cool with Billy Fury."[5]
Winner called it “Britain’s first twist film. Except nobody was twisting there yet, so they didn’t quite know what it was.... But working on a feature film of whatever calibre was obvious preferable to sitting at hoe waiting for the phone ring.” He wanted to make the movie on location in real clubs but says the producers said “We don’t want to go into the West End where would we park the cars and have lunch? Besides we have all these lovely men at pinewood doing nothing and we think they ought to build something. So they put up a lot of rubbish as they always do a few potted plants and bits of hardboard with wallpaper on them then filled the place with extras looking bored.”[6]
Reception
In The New York Times, reviewer Eugene Archer called Fury "... a Cockney imitation of Elvis Presley" and wrote: "... some low-budget British filmmakers have contrived a flimsy plot in which he and his gang of Teddyboys escort a pretty socialite around London's twist dives in search of her fickle fiancé. ... The film is full of wiggling hips, throbbing larynxes and youthful energy. As for the sound track–well, it's loud."[7]
References
- ^ "Play It Cool (1962)". Bfi.org.uk. Retrieved 31 August 2017.
- ^ PLAY IT COOL Monthly Film Bulletin; London Vol. 29, Iss. 336, (Jan 1, 1962): 95.
- ^ "Play It Cool (1963) - Michael Winner - Synopsis, Characteristics, Moods, Themes and Related - AllMovie". AllMovie. Retrieved 31 August 2017.
- ^ "Archived copy". Archived from the original on 7 August 2016. Retrieved 4 January 2017.
{{cite web}}
: CS1 maint: archived copy as title (link) - ^ Spers, David. "An Interview with Michael Winner". Screen. Vol. 10, no. 3. p. 6.
- ^ 'Rome Won't Forgget Him': Winner: Rome Wont' Forget Him Winner: Rome Won't Forget Him Palmer, Alix. Los Angeles Times 7 June 1970: p1
- ^ Archer, Eugene (18 July 1963). "British Rock 'n' Roll". The New York Times. p. 15.
{{cite news}}
: CS1 maint: url-status (link)
External links
- Play It Cool at IMDb