Dancers in the Dark: Difference between revisions

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| director = [[David Burton (director)|David Burton]]
| director = [[David Burton (director)|David Burton]]
| producer =
| producer =
| writer = [[James Ashmore Creelman]] (play)<br/>[[Herman J. Mankiewicz]]
| writer = [[Herman J. Mankiewicz]]<br>'''adaptation'''<br>Brian Marlow<br>Howard Emmett Rogers
|based on = play ''Jazz King'' by [[James Ashmore Creelman]]
| narrator =
| narrator =
| starring = [[Miriam Hopkins]]<br/>[[Jack Oakie]]<br/>[[George Raft]]
| starring = [[Miriam Hopkins]]<br/>[[Jack Oakie]]<br/>[[George Raft]]
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| language = English}}
| language = English}}


'''''Dancers in the Dark''''' is a 1932 American [[Pre-Code Hollywood|pre-Code]] film about a [[taxi dancer]] ([[Miriam Hopkins]]), a [[big band]] leader ([[Jack Oakie]]), and a gangster ([[George Raft]]).<ref name="raft">Everett Aaker, ''The Films of George Raft'', [[McFarland & Company]], 2013 p 21</ref> The screenplay was co-written by [[Herman J. Mankiewicz]] and [[Howard Emmett Rogers]] from ''Jazz King'', a stage drama by [[James Ashmore Creelman]], photographed by [[Karl Struss]], and directed by [[David Burton (director)|David Burton]].
'''''Dancers in the Dark''''' is a 1932 American [[Pre-Code Hollywood|pre-Code]] film about a [[taxi dancer]] ([[Miriam Hopkins]]), a [[big band]] leader ([[Jack Oakie]]), and a gangster ([[George Raft]]).

George Raft, billed sixth, was listed much lower in the cast than the size of his role indicated because he was at the dawn of his career. His part was as large as any of the other players except for Hopkins and arguably Oakie. The same thing had happened to Raft previously in his earlier film ''[[Quick Millions (1931 film)|Quick Millions]]'', a gangster vehicle starring [[Spencer Tracy]], in which Raft's role was extremely large and colorful, even featuring some dancing.<ref name="raft">Everett Aaker, ''The Films of George Raft'', [[McFarland & Company]], 2013 p 21</ref>


==Plot==
==Plot==
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Floyd proposes to Gloria; she accepts but is worried about her past and puts him off. Duke manoeuvres him out of town for a few months and sets about luring Gloria back to him to expose her shallow nature. The ploy fails because he starts to fall in love with her as well. In the meantime the robbery takes place (off screen) and Louie kills someone but isn't caught. Floyd comes back and after a rapid sequence of misunderstandings and the arrival of the police looking for Louie everything works out nicely.
Floyd proposes to Gloria; she accepts but is worried about her past and puts him off. Duke manoeuvres him out of town for a few months and sets about luring Gloria back to him to expose her shallow nature. The ploy fails because he starts to fall in love with her as well. In the meantime the robbery takes place (off screen) and Louie kills someone but isn't caught. Floyd comes back and after a rapid sequence of misunderstandings and the arrival of the police looking for Louie everything works out nicely.

==Production==
Herman J. Mankiewicz was the co-author (with [[Orson Welles]]} of the screenplay for ''[[Citizen Kane]]'' (1941). [[Karl Struss]] was the co-cinematographer (with [[Charles Rosher]]) for [[F. W. Murnau]]'s ''[[Sunrise: A Song of Two Humans|Sunrise]]'' (1927). Both Mankiewicz and Struss each won the [[Academy Award]] for their work on these films.

George Raft, billed sixth, was listed much lower in the cast than the size of his role indicated because he was at the dawn of his career. His part was as large as any of the other players except for Hopkins and arguably Oakie. The same thing had happened to Raft previously in his earlier film ''[[Quick Millions (1931 film)|Quick Millions]]'', a gangster vehicle starring [[Spencer Tracy]], in which Raft's role was extremely large and colorful, even featuring some dancing.


==Cast==
==Cast==
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*[[Adelaide Hall]] (Hall's singing voice is used but she is uncredited on the movie credits)
*[[Adelaide Hall]] (Hall's singing voice is used but she is uncredited on the movie credits)
{{div col end}}
{{div col end}}
==Production==
The film was based on a play ''The Jazz King'' by James Creely who was better known as a screenwriter. In March 1929 it was announce the play would be put on next October.<ref>MUSIC: Sevitzky Conducts Here.By OLIN DOWNES. New York Times 27 Mar 1929: 37. </ref> It was not produced on Broadway. In October 1931 Paramount bought screen rights to the play which was also known as ''St Louis Blues'' and ''Master of Ceremonies''.<ref>GLEANED FROM TWO OTHER RIALTOS
New York Times 4 Oct 1931: 107</ref> The same month it was announced the film would star Miriam Hopkins and Charles Buddy Rogers.<ref>SCREEN NOTES.
New York Times 6 Oct 1931: 40. </ref> The film was conceived a drama with musical interludes.<ref>DRAMATIC FILM MUSICIALS DUE Kingsley, Grace. Los Angeles Times 7 Oct 1931: A9. </ref>


Filming started under the title ''The Jazz King''.<ref>SCREEN NOTES.
New York Times 24 Oct 1931: 20. </ref>
==Reception==
The ''New York Times'' called it "curiously tedious."<ref>Miriam Hopkins and Jack Oakie in a Film Story With a Dance Hall Background.
By MORDAUNT HALL. New York Times 19 Mar 1932: 11.</ref>
==References==
==References==
{{reflist}}
{{reflist}}
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==External links==
==External links==
* {{IMDb title|0022799|Dancers in the Dark}}
* {{IMDb title|0022799|Dancers in the Dark}}
*[https://letterboxd.com/film/dancers-in-the-dark/ Dancers in the Dark] at Letterbox

[[Category:1932 films]]
[[Category:1932 films]]
[[Category:American films]]
[[Category:American films]]

Revision as of 22:50, 25 January 2020

Dancers in the Dark
Directed byDavid Burton
Written byHerman J. Mankiewicz
adaptation
Brian Marlow
Howard Emmett Rogers
StarringMiriam Hopkins
Jack Oakie
George Raft
Music byDana Suesse
Distributed byParamount Pictures
Release date
  • March 11, 1932 (1932-03-11)
Running time
74 minutes
CountryUnited States
LanguageEnglish

Dancers in the Dark is a 1932 American pre-Code film about a taxi dancer (Miriam Hopkins), a big band leader (Jack Oakie), and a gangster (George Raft).

George Raft, billed sixth, was listed much lower in the cast than the size of his role indicated because he was at the dawn of his career. His part was as large as any of the other players except for Hopkins and arguably Oakie. The same thing had happened to Raft previously in his earlier film Quick Millions, a gangster vehicle starring Spencer Tracy, in which Raft's role was extremely large and colorful, even featuring some dancing.[1]

Plot

The story takes place at a downtown dance hall in which Duke Taylor is the band leader, Gloria Bishop the singer, Floyd Stevens the saxophonist and Louie Brooks a local gangster and regular patron.

Gloria has a "past" with both Duke and Louie but as the film opens is falling for Floyd. Floyd is steady and true but might not be if he knew more about her romantic history. Duke thinks Gloria is not good enough for Floyd whom he treats as a brother. Louie is interested in having her back but not as much as he wants to rob premises upstairs from the dance hall.

Floyd proposes to Gloria; she accepts but is worried about her past and puts him off. Duke manoeuvres him out of town for a few months and sets about luring Gloria back to him to expose her shallow nature. The ploy fails because he starts to fall in love with her as well. In the meantime the robbery takes place (off screen) and Louie kills someone but isn't caught. Floyd comes back and after a rapid sequence of misunderstandings and the arrival of the police looking for Louie everything works out nicely.

Cast

Production

The film was based on a play The Jazz King by James Creely who was better known as a screenwriter. In March 1929 it was announce the play would be put on next October.[2] It was not produced on Broadway. In October 1931 Paramount bought screen rights to the play which was also known as St Louis Blues and Master of Ceremonies.[3] The same month it was announced the film would star Miriam Hopkins and Charles Buddy Rogers.[4] The film was conceived a drama with musical interludes.[5]

Filming started under the title The Jazz King.[6]

Reception

The New York Times called it "curiously tedious."[7]

References

  1. ^ Everett Aaker, The Films of George Raft, McFarland & Company, 2013 p 21
  2. ^ MUSIC: Sevitzky Conducts Here.By OLIN DOWNES. New York Times 27 Mar 1929: 37.
  3. ^ GLEANED FROM TWO OTHER RIALTOS New York Times 4 Oct 1931: 107
  4. ^ SCREEN NOTES. New York Times 6 Oct 1931: 40.
  5. ^ DRAMATIC FILM MUSICIALS DUE Kingsley, Grace. Los Angeles Times 7 Oct 1931: A9.
  6. ^ SCREEN NOTES. New York Times 24 Oct 1931: 20.
  7. ^ Miriam Hopkins and Jack Oakie in a Film Story With a Dance Hall Background. By MORDAUNT HALL. New York Times 19 Mar 1932: 11.