Sam Zimbalist: Difference between revisions

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==Early life==
==Early life==
Born to a Russian [[American Jews|Jewish]] family,<ref>[https://books.google.com/books?id=7WqI7bUKYf4C&pg=PA215&lpg=PA215&dq=Sam+Zimbalist#v=onepage&q=Sam%20Zimbalist&f=false "Whither Quo Vadis?: Sienkiewicz's Novel in Film and Television" By Ruth Scodel and Anja Bettenworth] p. 215</ref> he arrived to the USA in August 1914. He began his career at 16 as a office boy to [[Richard A. Rowland]] who was president of [[Metro Studios]] and studied film editing.<ref name=VarObit/> He remained with Metro when the studio merged with [[Goldwyn Pictures]] and with [[Louis B. Mayer|Mayer Pictures]] in 1924 to become [[Metro-Goldwyn-Mayer]]. Actress [[Alla Nazimova]] invited him out to Hollywood to become second [[Assistant Director]] on her films.<ref name=VarObit/>
Born to a Russian [[American Jews|Jewish]] family,<ref>[https://books.google.com/books?id=7WqI7bUKYf4C&pg=PA215&lpg=PA215&dq=Sam+Zimbalist#v=onepage&q=Sam%20Zimbalist&f=false "Whither Quo Vadis?: Sienkiewicz's Novel in Film and Television" By Ruth Scodel and Anja Bettenworth] p. 215</ref> he arrived to the USA in August 1914.
He began his career at 16 as a office boy to [[Richard A. Rowland]] who was president of [[Metro Studios]] and studied film editing. He began to do some editing in his spare time when films needed to be trimmed to meet censorship requirements.<ref name=VarObit/>

He became friendly with actress [[Alla Nazimova]] who was under contract to Metro and told him of his desire to be a full editor. She invited him out to Hollywood in 1920 to become second assistant editor on her films. In 1923 when Nazimova's contract with Metro ended, he returned with her to New York and became her assistant stage manager on Broadway.<ref name=VarObit/><ref name="new">SAM ZIMBALIST, 57, FILM-MAKER, DEAD New York Times 5 Nov 1958: 39. </ref>


==Film editor==
==Film editor==
He edited the 1925 version of ''[[The Wizard of Oz (1925 film)|The Wizard of Oz]]''. Among the films he edited at MGM were [[Lon Chaney, Sr.|Lon Chaney's]] ''[[While the City Sleeps (1928 film)|While the City Sleeps]]'' (1928) and ''[[The Broadway Melody]]'' (1929), with his work on the latter considered historic being one of the first sound films.<ref name=VarObit/>
In 1924 Zimbalist returned to Los Angeles seeking film work. Metro pictures had merged with Sam Goldwyn's company to become MGM. Zimbalist went to work for them as an assistant editor and soon worked his way up to full editor. He edited the 1925 version of ''[[The Wizard of Oz (1925 film)|The Wizard of Oz]]''. Among the films he edited at MGM were [[Lon Chaney, Sr.|Lon Chaney's]] ''[[While the City Sleeps (1928 film)|While the City Sleeps]]'' (1928), ''Alias Jimmy Valentine'', the studio's first sound film, and ''[[The Broadway Melody]]'' (1929), the first sound musical.<ref name=VarObit/><ref name="new"/>


==Film producer==
==Film producer==
He was promoted to [[assistant producer]] in 1929 working for [[Hunt Stromberg]]<ref name=VarObit/> and became a producer on his own in 1936. He produced films including ''[[Thirty Seconds Over Tokyo]]'' (1944), the story of the [[Doolittle Raiders]], ''[[King Solomon's Mines (1950 film)|King Solomon's Mines]]'' (1950) and ''[[Quo Vadis (1951 film)|Quo Vadis]]'' (1951). The latter two both received [[Academy Award]] nominations for [[Academy Award for Best Picture|Best Picture]]. ''Quo Vadis'' was MGM's second highest-grossing film at the time behind ''Gone With the Wind'' and MGM's most profitable film of the era with worldwide rentals of $23 million on a cost of $7 million.<ref name=Hur>{{cite magazine|url=http://www.archive.org/stream/variety212-1958-11#page/n86/mode/1up|page=5|title=Zimbalist of 'Quo Vadis' Dies at 57 on Eve of Winding M-G 'Ben-Hur'|magazine=''[[Variety (magazine)|Variety]]''|date=November 12, 1958|accessdate=July 7, 2019|via=[[Archive.org]]}}</ref>
He was promoted to [[assistant producer]] in 1929 working for [[Hunt Stromberg]]<ref name=VarObit/> and became a producer on his own in 1936 with ''Married Before Breakfast''.<ref name="los"/>
He produced films including ''[[Thirty Seconds Over Tokyo]]'' (1944), the story of the [[Doolittle Raiders]], ''[[King Solomon's Mines (1950 film)|King Solomon's Mines]]'' (1950) and ''[[Quo Vadis (1951 film)|Quo Vadis]]'' (1951). The latter two both received [[Academy Award]] nominations for [[Academy Award for Best Picture|Best Picture]]. ''Quo Vadis'' was MGM's second highest-grossing film at the time behind ''Gone With the Wind'' and MGM's most profitable film of the era with worldwide rentals of $23 million on a cost of $7 million.<ref name=Hur>{{cite magazine|url=http://www.archive.org/stream/variety212-1958-11#page/n86/mode/1up|page=5|title=Zimbalist of 'Quo Vadis' Dies at 57 on Eve of Winding M-G 'Ben-Hur'|magazine=''[[Variety (magazine)|Variety]]''|date=November 12, 1958|accessdate=July 7, 2019|via=[[Archive.org]]}}</ref>


Based on the success of ''Quo Vadis'', he was made producer of MGM's most elaborate production until that time, the 1959 epic ''[[Ben-Hur (1959 film)|Ben-Hur]]''.<ref name=Hur/>
Based on the success of ''Quo Vadis'', he was made producer of MGM's most elaborate production until that time, the 1959 epic ''[[Ben-Hur (1959 film)|Ben-Hur]]''.<ref name=Hur/><ref>King Solomon's Mines: Part I
Behlmer, Rudy. American Cinematographer; Hollywood Vol. 70, Iss. 5, (May 1989): 38-44. </ref>


==Death==
==Death==
Zimbalist collapsed suddenly of a heart attack on set in Rome, Italy, during filming of ''Ben-Hur''.<ref name=VarObit/> He was taken to his villa here he died.<ref name="los">SAM ZIMBALIST, FILM CHIEF, DIES: Noted Producer, 57, Suffers Heart Attack on Supercolossal 'Ben-Hur' Set in Rome
Zimbalist died suddenly of a heart attack on set in Rome, Italy, during filming of ''Ben-Hur''.<ref name=VarObit/> He was buried at the [[Hillside Memorial Park]] in [[Culver City, California]]. He received a [[posthumous recognition|posthumous]] [[Academy Awards|Oscar]] for the film, and remains the only person to ever posthumously receive a Best Picture award.<ref>{{cite web|url=http://www.eonline.com/news/81065/rare-and-extraordinary-oscar-noms-for-pollack-minghella|title=Rare and Extraordinary" Oscar Noms for Pollack, Minghella|publisher=[[E! Online]]|author=Natalie Finn|date=January 27, 2009}}</ref> His Oscar was accepted by his wife Mary Zimbalist, who made a speech in honor of her late husband. ''Ben-Hur'' was even more profitable than ''Quo Vadis'' becoming MGM's second highest-grossing film at the time (again, behind ''Gone With the Wind'') making Zimbalist the producer of the second and third highest-grossing films at the studio.
Los Angeles Times 5 Nov 1958: 4. </ref>


He was buried at the [[Hillside Memorial Park]] in [[Culver City, California]]. He received a [[posthumous recognition|posthumous]] [[Academy Awards|Oscar]] for the film, and remains the only person to ever posthumously receive a Best Picture award.<ref>{{cite web|url=http://www.eonline.com/news/81065/rare-and-extraordinary-oscar-noms-for-pollack-minghella|title=Rare and Extraordinary" Oscar Noms for Pollack, Minghella|publisher=[[E! Online]]|author=Natalie Finn|date=January 27, 2009}}</ref> His Oscar was accepted by his wife Mary Zimbalist, who made a speech in honor of her late husband. ''Ben-Hur'' was even more profitable than ''Quo Vadis'' becoming MGM's second highest-grossing film at the time (again, behind ''Gone With the Wind'') making Zimbalist the producer of the second and third highest-grossing films at the studio.

He left an estate of $500,000.<ref>Zimbalist's Family Shares $500,000 Estate
Los Angeles Times (1923-1995); Los Angeles, Calif. [Los Angeles, Calif]13 Nov 1958: C11.</ref>
==Personal life==
==Personal life==
He married Margaret C. Donovan in 1924. They divorced in 1950. Zimbalist then married Mary Taylor, a former fashion model and actress, in 1952.<ref>{{cite news | title = Paid Death Notices: Mary Taylor Zimbalist | work = [[New York Times]]| pages = 25 | publisher = | date = June 29, 2008 | url = http://www.legacy.com/NYTimes/DeathNotices.asp?Page=LifeStory&PersonID=112423423 | accessdate = November 13, 2008}}</ref>
He married Margaret C. Donovan in 1924. They divorced in 1950. Zimbalist then married Mary Taylor, a former fashion model and actress, in 1952.<ref>{{cite news | title = Paid Death Notices: Mary Taylor Zimbalist | work = [[New York Times]]| pages = 25 | publisher = | date = June 29, 2008 | url = http://www.legacy.com/NYTimes/DeathNotices.asp?Page=LifeStory&PersonID=112423423 | accessdate = November 13, 2008}}</ref>
Line 82: Line 94:
* ''[[I Accuse!]]'' (1959) - producer
* ''[[I Accuse!]]'' (1959) - producer
* ''[[Ben Hur (1959 film)|Ben Hur]]'' (1959) - producer
* ''[[Ben Hur (1959 film)|Ben Hur]]'' (1959) - producer
===Unmade Films===

*adaptation of ''[[Robinson Crusoe]]'' (1947) with [[Spencer Tracy]] and later [[Stewart Granger]]<ref>CRUSOE' LEAD ROLE TO SPENCER TRACY New York Times 18 Jan 1947: 10. </ref>
==References==
==References==
{{reflist|colwidth=30em}}
{{reflist|colwidth=30em}}

Revision as of 04:00, 25 August 2019

Sam Zimbalist
Born(1901-03-31)March 31, 1901
Kiev, Russian Empire (present-day Ukraine)
DiedNovember 4, 1958(1958-11-04) (aged 57)
Rome, Italy
Resting placeHillside Memorial Park, Culver City, California
Occupation(s)Film producer, film editor
Years active1920–1958
Spouses
  • Margaret C. Donovan (1924–1950; divorce)
  • Mary Taylor (1952–1958; his death)

Sam Zimbalist (March 31, 1901[1] – November 4, 1958) was a Russian born American film producer and film editor.[2]

Early life

Born to a Russian Jewish family,[3] he arrived to the USA in August 1914.

He began his career at 16 as a office boy to Richard A. Rowland who was president of Metro Studios and studied film editing. He began to do some editing in his spare time when films needed to be trimmed to meet censorship requirements.[2]

He became friendly with actress Alla Nazimova who was under contract to Metro and told him of his desire to be a full editor. She invited him out to Hollywood in 1920 to become second assistant editor on her films. In 1923 when Nazimova's contract with Metro ended, he returned with her to New York and became her assistant stage manager on Broadway.[2][4]

Film editor

In 1924 Zimbalist returned to Los Angeles seeking film work. Metro pictures had merged with Sam Goldwyn's company to become MGM. Zimbalist went to work for them as an assistant editor and soon worked his way up to full editor. He edited the 1925 version of The Wizard of Oz. Among the films he edited at MGM were Lon Chaney's While the City Sleeps (1928), Alias Jimmy Valentine, the studio's first sound film, and The Broadway Melody (1929), the first sound musical.[2][4]

Film producer

He was promoted to assistant producer in 1929 working for Hunt Stromberg[2] and became a producer on his own in 1936 with Married Before Breakfast.[5]

He produced films including Thirty Seconds Over Tokyo (1944), the story of the Doolittle Raiders, King Solomon's Mines (1950) and Quo Vadis (1951). The latter two both received Academy Award nominations for Best Picture. Quo Vadis was MGM's second highest-grossing film at the time behind Gone With the Wind and MGM's most profitable film of the era with worldwide rentals of $23 million on a cost of $7 million.[6]

Based on the success of Quo Vadis, he was made producer of MGM's most elaborate production until that time, the 1959 epic Ben-Hur.[6][7]

Death

Zimbalist collapsed suddenly of a heart attack on set in Rome, Italy, during filming of Ben-Hur.[2] He was taken to his villa here he died.[5]

He was buried at the Hillside Memorial Park in Culver City, California. He received a posthumous Oscar for the film, and remains the only person to ever posthumously receive a Best Picture award.[8] His Oscar was accepted by his wife Mary Zimbalist, who made a speech in honor of her late husband. Ben-Hur was even more profitable than Quo Vadis becoming MGM's second highest-grossing film at the time (again, behind Gone With the Wind) making Zimbalist the producer of the second and third highest-grossing films at the studio.

He left an estate of $500,000.[9]

Personal life

He married Margaret C. Donovan in 1924. They divorced in 1950. Zimbalist then married Mary Taylor, a former fashion model and actress, in 1952.[10]

Selected filmography

Unmade Films

References

  1. ^ Birth year according naturalisation papers. "Ancestry.com". {{cite web}}: Cite has empty unknown parameter: |dead-url= (help)
  2. ^ a b c d e f "Obituaries". Variety. November 12, 1958. p. 63. Retrieved July 7, 2019 – via Archive.org. {{cite magazine}}: Italic or bold markup not allowed in: |magazine= (help)
  3. ^ "Whither Quo Vadis?: Sienkiewicz's Novel in Film and Television" By Ruth Scodel and Anja Bettenworth p. 215
  4. ^ a b SAM ZIMBALIST, 57, FILM-MAKER, DEAD New York Times 5 Nov 1958: 39.
  5. ^ a b SAM ZIMBALIST, FILM CHIEF, DIES: Noted Producer, 57, Suffers Heart Attack on Supercolossal 'Ben-Hur' Set in Rome Los Angeles Times 5 Nov 1958: 4.
  6. ^ a b "Zimbalist of 'Quo Vadis' Dies at 57 on Eve of Winding M-G 'Ben-Hur'". Variety. November 12, 1958. p. 5. Retrieved July 7, 2019 – via Archive.org. {{cite magazine}}: Italic or bold markup not allowed in: |magazine= (help)
  7. ^ King Solomon's Mines: Part I Behlmer, Rudy. American Cinematographer; Hollywood Vol. 70, Iss. 5, (May 1989): 38-44.
  8. ^ Natalie Finn (January 27, 2009). "Rare and Extraordinary" Oscar Noms for Pollack, Minghella". E! Online.
  9. ^ Zimbalist's Family Shares $500,000 Estate Los Angeles Times (1923-1995); Los Angeles, Calif. [Los Angeles, Calif]13 Nov 1958: C11.
  10. ^ "Paid Death Notices: Mary Taylor Zimbalist". New York Times. June 29, 2008. p. 25. Retrieved November 13, 2008.
  11. ^ CRUSOE' LEAD ROLE TO SPENCER TRACY New York Times 18 Jan 1947: 10.